Thriller shotlist

1	Close-up/Medium close-up	Having close-ups at the start of the scene that are not of the character hides their identity and creates tension and questioning amongst the audience. The close-up of the match and board used allows the audience to see it in detail and have hints and foreshadowing as to the narrative.
2	Point-of-view/Close-up	The close-up of the match and board used allows the audience to see it in detail and have hints and foreshadowing as to the narrative. Also, it being from their point-of-view as to the realism and makes it feel as if the audience are in their shoes.
3	Extreme close-up	Having the extreme close-up of part of their face still conceals the identity of the character but also suggest that they may be the one in power due to the fact they finish the scene/blow out the candle. This leaves the audience with enigmas and wonder.
4	Blank/N/A	We have left this shot blank/black to add tension and mystery straight from the start of the opening sequence. We felt this leaves the audience question what is going to happen further.
5	Long shot	The long shot allows the audience to see the surroundings and establish what the setting is. In addition, this also allows them to view the other character fully, without showing the face.
6	Over-the-shoulder	The over-the-shoulder adds realism, the feeling of being watched and as if they are the antagonist at that moment in time.
7	Long shot	The long shot allows the audience to see the surroundings and establish what the setting is. They can also see what the girl is doing and her actions clearly and fully.
8	Long shot	The long shot allows the audience to see the surroundings and establish what the setting is.They can also see what the girl is doing and her actions clearly and fully.
9	Tracking shot	The tracking shot shows the pace and connotes the panic/rush. It also creates realism and tension/suspense.
10	Extreme close-up/close-up	The use of extreme close-ups/close-ups shows the key object in detail and creates questions about it and what may be happening.
11	Extreme close-up/close-up	The use of extreme close-ups/close-ups shows the key object in detail and creates questions about it and what may be happening.
12	Extreme close-up/close-up	The use of extreme close-ups/close-ups shows the key object in detail and creates questions about it and what may be happening.
13	Point-of-view/Over-the-shoulder	Again, the point-of-view/O-T-S adds to the realism and allows you to see things from the girls view and the choice she has to make.
14	Tracking shot	The tracking marks the pursuit and creates tension as to whether she will escape.
15	Close-up	The close-up of the shoes show that the antagonist is near and that she is in danger and creates a build-up.
16	Medium shot/Long shot	This shows the antagonists views and allows you to see the subjects, the environment and how they interact within it.
17	Long shot	The long shot shows the girl running and see her whole movement and actions. This also allows the ribbon to be followed.
18	Tracking shot	This allows you to see the antagonist is not visible, creating the idea she must be safe.
19	Point-of-view/Cantered angled	The angle connotes the chaos and disorientation of what is happening and for the character. It also shows their point-of-view.
20	Mid shot/Close-up	This connotes the eerie and odd character personality. It also shows clearly what is being picked up.
21	Tracking shot/Long shot	This shows the protagonist fully and in detail.  It allows you to see her struggle and question is this holds her back.
22	Mid shot	This allows the audience to see the protagonist fully and clearly and watch how she reacts and acts.
23	Over-the-shoulder	This makes it seem as if the audience are from the antagonists view and could cause a jump scare by the sudden appearance of the antagonist.
24	Close-up	The close-up shows the girls emotions and expression as she is caught and shows it in detail.
25	Blank/N/A	We have left this shot blank/black to add tension and mystery. We felt this leaves the audience questioning what is going to happen further.
26	Mid-shot	The mid shot shows the character and the poster and gives a clue as to who this current character is.
27	Close-up	This close-up allows the audience to read the poster and see it in more detail.
28	Close-up	This movement builds tension and ideas about what could happen further. It also shows the action carried out by the character and emphasises the key object being discarded.
29	Close-up/At slight angle	This will allow the movement of the camera to be swift and help with the next transition.
30	Close-up/Arc shot	Again, this allows the audience to see in more detail the object and will allow with the transition to the next frame to be smooth.
31	Title	This will be a shot of the title. It will transition in from the last shot to keep continuity and act as a slight graphic match from the poster title to our film title.